Romeo and Juliet in European Culture
Editors
| University of Murcia
| University of Namur
| University of Murcia
With its roots deep in ancient narrative and in various reworkings from the late medieval and early modern period, Shakespeare’s Romeo and Juliet has left a lasting trace on modern European culture. This volume aims to chart the main outlines of this reception process in the broadest sense by considering not only critical-scholarly responses but also translations, adaptations, performances and various material and digital interventions which have, from the standpoint of their specific local contexts, contributed significantly to the consolidation of Romeo and Juliet as an integral part of Europe’s cultural heritage. Moving freely across Europe’s geography and history, and reflecting an awareness of political and cultural backgrounds, the volume suggests that Shakespeare’s tragedy of youthful love has never ceased to impose itself on us as a way of articulating connections between the local and the European and the global in cases where love and hatred get in each other’s way. The book is concluded by a selective timeline of the play’s different materialisations.
[Shakespeare in European Culture, 1] 2017. xi, 331 pp.
Publishing status: Available
© John Benjamins
Table of Contents
List of contributors
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vii–xii
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1–24
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25–36
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37–60
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61–76
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77–100
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101–118
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119–138
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139–158
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159–176
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177–196
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197–226
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227–246
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247–262
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263–282
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283–300
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301–320
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Index
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321–332
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Cited by
Cited by other publications
This list is based on CrossRef data as of 31 december 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
Subjects
Literature & Literary Studies
BIC Subject: DSGS – Shakespeare studies & criticism
BISAC Subject: LIT013000 – LITERARY CRITICISM / Drama