Cognitive Grammar in Literature

Editors
| University of Nottingham
| University of Nottingham
| University of Nottingham
| University of Nottingham
Hardbound – Available
ISBN 9789027234049 | EUR 99.00 | USD 149.00
 
Paperback – Available
ISBN 9789027234063 | EUR 36.00 | USD 54.00
 
e-Book –
ISBN 9789027270566 | EUR 99.00/36.00*
| USD 149.00/54.00*
 
This is the first book to present an account of literary meaning and effects drawing on our best understanding of mind and language in the form of a Cognitive Grammar. The contributors provide exemplary analyses of a range of literature from science fiction, dystopia, absurdism and graphic novels to the poetry of Wordsworth, Hopkins, Sassoon, Balassi, and Dylan Thomas, as well as Shakespeare, Chaucer, Barrett Browning, Whitman, Owen and others. The application of Cognitive Grammar allows the discussion of meaning, translation, ambience, action, reflection, multimodality, empathy, experience and literariness itself to be conducted in newly valid ways. With a Foreword by the creator of Cognitive Grammar, Ronald Langacker, and an Afterword by the cognitive scientist Todd Oakley, the book represents the latest advance in literary linguistics, cognitive poetics and literary critical practice.
[Linguistic Approaches to Literature, 17]  2014.  xiv, 255 pp.
Publishing status: Available
© John Benjamins
https://doi.org/10.1075/lal.17
Table of Contents
List of contributors
vii–x
Acknowledgements
xi–xii
Foreword
Ronald W. Langacker
xiii–xiv
Chapter 1. Introduction: Cognitive Grammar in literature
Chloe Harrison, Louise Nuttall, Peter Stockwell and Wenjuan Yuan
1–16
Chapter 2. War, worlds and Cognitive Grammar
Peter Stockwell
17–34
Chapter 3. Construal and comics: The multimodal autobiography of Alison Bechdel’s Fun Home
Michael Pleyer and Christian W. Schneider
35–52
Chapter 4. Attentional windowing in David Foster Wallace’s ‘The Soul Is Not a Smithy’
Chloe Harrison
53–68
Chapter 5. Resonant metaphor in Kazuo Ishiguro’s Never Let Me Go
Sam Browse
69–82
Chapter 6. Constructing a text world for The Handmaid’s Tale
Louise Nuttall
83–100
Chapter 7. Point of view in translation: Lewis Carroll’s Alice in grammatical wonderlands
Elżbieta Tabakowska
101–116
Chapter 8. Profiling the flight of ‘The Windhover’
Clara Neary
117–132
Chapter 9. Foregrounding the foregrounded: The literariness of Dylan Thomas’s ‘After the funeral’
Anne Päivärinta
133–144
Chapter 10. Conceptual proximity and the experience of war in Siegfried Sassoon’s ‘A Working Party’
Marcello Giovanelli
145–160
Chapter 11. Most and now: Tense and aspect in Bálint Balassi’s ‘Áldott szép pünkösdnek’
Mike Pincombe
161–176
Chapter 12. Fictive motion in Wordsworthian nature
Wenjuan Yuan
177–194
Chapter 13. The cognitive poetics of if
Craig A. Hamilton
195–212
Chapter 14. Representing the represented: Verbal variations on Vincent’s Bedroom in Arles
Alina Kwiatkowska
213–230
Afterword: From Cognitive Grammar to systems rhetoric
Todd Oakley
231–236
References
237–252
Index
253–256
“This stimulating collection of essays on narrative fiction and poetry, embracing multi-modality and translation, takes stylistics in a new direction. Cognitive grammar places meaning construction at its heart: and the applications here bravely test and probe the theory, whilst enriching our understanding of the texts themselves.”
“An inspiring demonstration of the great reach of Cognitive Grammar to analyze complex communication.”
“This edited volume is commendable in numerous ways. Firstly, it is groundbreaking in that it does without doubt represent the richest resource which attempts to marry CG and literary analysis thus far in the field of cognitive poetics. Secondly, the scope of literary works analysed with the use of CG in this edited collection is truly impressive.[...]this volume makes a compelling argument for the possibility and the usefulness of adopting the CG approach for the study of literature, and for extending CG to literary analysis. The authors provide groundbreaking, stimulating and creative analyses. It will be interesting to see how a cognitive grammar approach to literary analysis is further developed in future publications.”
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Subjects

Linguistics

Pragmatics
Cognitive linguistics
Discourse studies

Literature & Literary Studies

Theoretical literature & literary studies
BIC Subject: CFG – Semantics, Pragmatics, Discourse Analysis
BISAC Subject: LAN009000 – LANGUAGE ARTS & DISCIPLINES / Linguistics / General
U.S. Library of Congress Control Number:  2013049282 | Marc record