Chapter published in:
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 399414
References

References

Authers, Benjamin
2005 “ ‘I’m Not Australian, I’m Not Greek, I’m Not Anything’: Identity and the Multicultural Nation in Christos Tsiolkas’ Loaded .” Journal of the Association for the Study of Australian Literature 4: 133–145.Google Scholar
Bennett, James
2007 “ Head On: Multicultural Representations of Australian Identity in 1990s National Cinema.” Studies in Australasian Cinema 1 (1): 61–78.CrossrefGoogle Scholar
Bladen, Victoria
2012 “The Rock and the Void: Pastoral and Loss in Joan Lindsay’s Picnic at Hanging Rock and Peter Weir’s Film Adaptation.” Colloquy 23: 159–184.Google Scholar
Carr, Annabel
2005 “Beauty, Myth and Monolith: Picnic at Hanging Rock and the Vibration of Sacrality.” In The Buddha of Suburbia, edited by Carole M. Cusack, Frances Di Lauro, and Christopher Hartney, 123–131. Sydney: RLA Press.Google Scholar
Cubitt, Sean
2010 “The Sound of Sunlight.” Screen 51 (2): 118–128.CrossrefGoogle Scholar
Cummins, Joseph
2015 “ ‘I Turn Up the Volume and Walk Towards Home’: Mapping the Soundscapes of Loaded .” Journal of the Association for the Study of Australian Literature 15 (1): 1–11. https://​openjournals​.library​.sydney​.edu​.au​/index​.php​/JASAL​/article​/view​/9933​/9821.Google Scholar
Derrida, Jacques
1993Specters of Marx: The State of Debt, the Work of Mourning, and the New International. Translated by Peggy Kamuf. London: Routledge.Google Scholar
Duffy, Carol Ann
2004 “Homesick.” In New Selected Poems: 1984–2004. London: Picador.Google Scholar
Head On
1998 Dir. Ana Kokkinos. Film. Australia. Australian Film Finance Corporation.Google Scholar
Holmqvist, Jytte
2013 “Contrasting Cultural Landscapes and Spaces in Peter Weir’s Film Picnic at Hanging Rock (1975), Based on Joan Lindsay’s 1967 Novel with the Same Title.” Coolabah 11: 25–35.Google Scholar
Jones, Gail
2006a “A Dreaming, A Sauntering: Re-Imagining Critical Paradigms.” Journal of the Association for the Study of Australian Literature 5: 11–24.Google Scholar
2006bDreams of Speaking. London: Harvill Secker.Google Scholar
2007The Piano. Sydney: Currency Press.Google Scholar
Leishman, Kirsty
1999 “Australian Grunge Literature and the Conflict Between Literary Generations.” Journal of Australian Studies 23 (63): 94–102.CrossrefGoogle Scholar
Leitch, Thomas
2015 “Mind the Gaps.” Paper presented at the Tenth Annual Conference of the Association of Adaptation Studies. London.Google Scholar
Lindsay, Joan
2013Picnic at Hanging Rock. London: Vintage Books.Google Scholar
National Multicultural Advisory Council
1999A New Agenda for Multicultural Australia. Canberra: AusInfo.Google Scholar
Picnic at Hanging Rock
1975 Dir. Peter Weir. Film. Australia: Australian Film Commission.Google Scholar
Rayner, Jonathan
1998The Films of Peter Weir. New York: Continuum.Google Scholar
Ross, Eloise
2012 “Ana Kokkinos and the Auditory Spectator: ‘I Wanna Tell You that I’m Feeling Closer.’Screen Sound Journal (3): 51–66.Google Scholar
Shachar, Hila
2012Cultural Afterlives and Screen Adaptations of Classic Literature. New York: Palgrave Macmillan.CrossrefGoogle Scholar
Steele, Kathleen
2010 “Fear and Loathing in the Australian Bush: Gothic Landscapes in Bush Studies and Picnic at Hanging Rock .” Colloquy 20: 33–56.Google Scholar
Tilley, Elspeth
2009 “The Uses of Fear: Spatial Politics in the Australian White-Vanishing Trope.” Antipodes 23 (1): 33–41.Google Scholar
Tsiolkas, Christos
1997Loaded. London: Vintage.Google Scholar
Turner, Graeme
1994 “The End of the National Project? Australian Cinema in the 1990s.” In Colonialism and Nationalism in Asian Cinema, edited by Wimal Dissanayake, 202–216. Bloomington: Indiana University Press.Google Scholar
Vernay, Jean-François
2006 “An Interview with Christos Tsiolkas.” Antipodes 20 (1): 38–40.Google Scholar