Chapter published in:
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 323342
References

References

Albee, Edward
1962Who’s Afraid of Virginia Woolf? New York: Dramatists Play Service, Inc.Google Scholar
Benjamin, Walter
(1936) 2008The Work of Art in the Age of Mechanical Reproduction. London: Penguin Books.Google Scholar
Boozer, Jack
ed. 2008Authorship in Film Adaptation. Austin: University of Texas Press. http://​www​.jstor​.org​/stable​/10​.7560​/702851.Google Scholar
Commissioner of Police v. Kim Michelle Hollingsworth
Conrad, Joseph
(1899) 2007Heart of Darkness. London: Penguin Books.Google Scholar
(1907) 2012The Secret Agent. London: Penguin Books.Google Scholar
(1920) 2012 “Author’s Note.” The Secret Agent. London: Penguin Books.Google Scholar
2008The Collected Letters of Joseph Conrad. Vol. 8. The Cambridge Edition of the Letters of Joseph Conrad. edited by Laurence Davies and Gene M. Moore. Cambridge: Cambridge University Press 1988–2008.Google Scholar
DiSanto, Michael John
2009Under Conrad’s Eyes: The Novel as Criticism. Quebec: McGill-Queens University Press.Google Scholar
Dorré, Gina M.
2006Victorian Fiction and the Cult of the Horse. Farnham, Surrey: Ashgate.Google Scholar
Duffy, Michael
2010 “Dangerous Days in the Cross.” Sydney Morning Herald, April 7. http://​www​.smh​.com​.au​/nsw​/dangerous​-days​-in​-the​-cross​-20100406​-rpg4​.html.Google Scholar
Hollingdale, R. J.
1999Nietzsche: The Man and his Philosophy. Cambridge: Cambridge University Press.Google Scholar
Iyer, Anupama
2007 “Depiction of Intellectual Disability in Fiction.” Advances in Psychiatric Treatment 13 (2): 127–133.CrossrefGoogle Scholar
Klin, Ami, Warren Jones, Robert Schultz, Fred Volkmar, and Donald Cohen
2002 “Defining and Quantifying the Social Phenotype in Autism.” American Journal of Psychiatry 159 (6): 895–908.CrossrefGoogle Scholar
Munt, Alex
2012 “Expensive Words, Cheap Images: ‘Scripting’ the Adapted Screenplay.” Journal of Screenwriting 4 (1): 57–76.CrossrefGoogle Scholar
New South Wales Government
Psycho
1960 Dir. Alfred Hitchcock. Film. Shamley Pictures.Google Scholar
Sabotage
1936a Dir. Alfred Hitchcock. Film. Gaumont British Picture Corporation.Google Scholar
The Secret Agent
1936b Dir. Alfred Hitchcock. Film. Gaumont British Picture Corporation.Google Scholar
The Secret Agent
1996 Dir. Christopher Hampton. Film. Twentieth Century Fox Film Corporation.Google Scholar
The Secret Agent
2016 Dir. Charles McDougall. Television. World Productions.Google Scholar
Shaffer, Brian
1995 “ ‘Thec Wares’: Politics and Pornography in Conrad’s The Secret Agent .” ELH 62 (2): 443–466. http://​www​.jstor​.org​/stable​/30030083.CrossrefGoogle Scholar
Sherry, Jamie
2012 “Paratextual Adaptation: Heart of Darkness as Hearts of Darkness via Apocalypse Now .” In A Companion to Literature, Film and Adaptation, edited by Deborah Cartmell, 374–390. West Sussex, UK: Blackwell Publishing.CrossrefGoogle Scholar
Timecode
2000 Dir. Mike Figgis. Film. Columbia Tristar Films.Google Scholar
Truffaut, François
(1983) 1985Hitchcock (Revised Edition). Translated by G. Helen Scott. New York: Simon and Schuster.Google Scholar
Valente, Joseph
2014 “The Accidental Autist: Neurosensory Disorder in The Secret Agent .” Journal of Modern Literature 38 (1): 20–37.doi: CrossrefGoogle Scholar
Watts, Cedric
2007 Joseph Conrad: ‘The Secret Agent.’ edited by Charles Moseley. Tirril: Humanities-Ebooks.Google Scholar
Who’s Afraid of Virginia Woolf?
1966 Dir. Mike Nichols. Film. Warner Brothers.Google Scholar
Wollaeger, Mark A.
1997 “Killing Stevie: Modernity, Modernism, and Mastery in Conrad and Hitchcock.” Modern Language Quarterly 58 (3): 323–350.CrossrefGoogle Scholar