Chapter published in:
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 125–140

“Such a transformation!” Shakespeare remade

Sulayman Al-Bassam’s Richard III, an Arab Tragedy

Published online: 16 October 2018
https://doi.org/10.1075/fillm.9.08alm
References

References

Al-Bassam, Sulayman
2009 Richard III, an Arab Tragedy, directed by Sulayman Al-Bassam, Al Jahili Fort, Al Ain, United Arab Emirates. March 24. DVD. Courtesy of Sulayman Al-Bassam.Google Scholar
2014 Richard III, an Arab Tragedy. In The Arab Shakespeare Trilogy: The Al-Hamlet Summit; Richard III, an Arab Tragedy; The Speaker’s Progress. London: Bloomsbury Metheun.Google Scholar
n.d. “Director’s Note.” SABAB Sulayman Al-Bassam Theater. http://​www​.sabab​.org​/richard​-iii​-an​-arab​-tragedy/.
Aune, M. G.
2006 “The Uses of Richard III: From Robert Cecil to Richard Nixon.” Shakespeare Bulletin 24 (3): 23–47. https://​politicworm​.files​.wordpress​.com​/2011​/10​/aune​-the​-uses​-of​-richard​-iii​.pdf.CrossrefGoogle Scholar
Barthes, Roland
1972 “The Diseases of Costume.” In Critical Essays, translated by Richard Howard, 41–50. Evanston, IL: Northwestern University Press. https://​rosswolfe​.files​.wordpress​.com​/2015​/04​/roland​-barthes​-critical​-essays​.pdf.Google Scholar
Brantley, Ben
2009 “Gloucester’s Emir, Handsome This Time.” The New York Times, 11 June. http://​www​.nytimes​.com​/2009​/06​/11​/theater​/reviews​/11brantley​.html.Google Scholar
Brook, Peter
1968 The Empty Space. New York: Simon and Schuster.Google Scholar
Coletta, Cristina Della
2012 When Stories Travel: Cross-Cultural Encounters between Fiction and Film. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Dimock, Wai Chee
1997 “A Theory of Resonance.” PMLA 112 (5): 1061–1071.CrossrefGoogle Scholar
Dorairaj, Joseph A.
2000 “Paul Ricoeur’s Hermeneutics of the Text.” Indian Philosophic Quarterly 27 (4): 403–409. http://​www​.unipune​.ac​.in​/snc​/cssh​/ipq​/english​/IPQ​/26​-30%20volumes​/27​-4​/27​-4​-3​.pdf.Google Scholar
Felski, Rita
2011 “‘Context Stinks!’” New Literary History 42 (4): 573–591.CrossrefGoogle Scholar
Frus, Phyllis and Christy Williams
eds. 2010 “Making the Case for Transformation.” In Beyond Adaptation: Essays on Radical Transformations of Original Works, 1–18. Jefferson, NC: McFarland.Google Scholar
Gadamer, Hans-Georg
(1975) 2004 Truth and Method. Translated by Joel Weinsheimer and Donald G. Marshall. 2nd ed. London: Sheed & Ward. https://​mvlindsey​.files​.wordpress​.com​/2015​/08​/truth​-and​-method​-gadamer​-2004​.pdf.Google Scholar
Ghasemi, A., M. Taghenijad, A. Kabiri, and M. Imani
2011 “Ricoeur’s Theory of Interpretation: A Method for Understanding Text (Course Text).” World Applied Sciences Journal 15 (11): 1623–1629.Google Scholar
Holderness, Graham
. December 2007 “From Summit to Tragedy: Sulayman Al-Bassam’s ‘Richard III’ and Political Theatre.” Critical Survey 19 (3): 124–143. http://​www​.jstor​.org​/stable​/41556236.CrossrefGoogle Scholar
2008 “ ‘Silence Bleeds’: Hamlet across Borders – The Shakespearean Adaptations of Sulayman Al-Bassam.” European Journal of English Studies 12 (1): 59–77.CrossrefGoogle Scholar
Hutcheon, Linda
(2006) 2013 A Theory of Adaptation. 2nd ed. New York: Routledge.Google Scholar
Kaplan, David M.
2003 Ricoeur’s Critical Theory. Albany: State University of New York.Google Scholar
Leonard, Kendra Preston
2013 “Listening to the Global Shakespeare.” MIT Global Shakespeares, 24 July. http://​globalshakespeares​.mit​.edu​/blog​/2013​/07​/24​/listening​-to​-global​-shakespeare/.Google Scholar
Lesser, Wendy
1997 A Director Calls: Stephen Daldry and the Theater. Berkeley: University of California Press. https://​books​.google​.com​/books​?id​=Z0ccWsy2e3kC​&printsec​=frontcover#v​=onepage​&q​&f​=false.Google Scholar
Richard III: An Arab VIP. The Culture Project
2011 Dir. Shakir Abal and Tim Langford. DVD. Courtesy of Sulayman Al-Bassam.Google Scholar