Chapter published in:
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 87102
References

References

Armes, Roy
1978A Critical History of the British Cinema. London: Secker & Warburg.Google Scholar
Barnard, Clio
2009 “Buttershaw: Questioning Realist Screen and Verbatim Stage Representations of the Buttershaw Estate, Bradford.” Research Councils UK. http://​gtr​.rcuk​.ac​.uk​/project​/C1B3C843​-D288​-4875​-B5FF​-03977C4F932D.Google Scholar
Bradshaw, Peter
2011Review of “Wuthering Heights,” by Andrea Arnold. The Guardian, November 10. www​.theguardian​.com​/film​/2011​/nov​/10​/wuthering​-heights​-film​-review.Google Scholar
Brontë Parsonage Museum – About Us.” n.d. The Brontë Society. https://​www​.bronte​.org​.uk​/about​-us​/our​-history.
Collins, Jim
2010Bring on the Books for Everybody: How Literary Culture Became Popular Culture. Durham, NC: Duke University Press.CrossrefGoogle Scholar
Comolli, Jean-Louis
1978 “Historical Fiction: A Body Too Much.” Screen 19 (2): 41–54.CrossrefGoogle Scholar
English, James F. and John Frow
2006 “Literary Authorship and Celebrity Culture.” In A Concise Companion to Contemporary British Fiction, edited by James F. English, 39–57. Malden, MA: Blackwell.CrossrefGoogle Scholar
Fullerton, Huw
Gaiger, Jason
2009 “Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy.” The British Journal of Aesthetics 49 (1): 43–58.CrossrefGoogle Scholar
Gilroy, Paul
2005Postcolonial Melancholia. The Wellek Lectures. New York: Columbia University Press.Google Scholar
Grierson, John
1973 Introduction to Documentary Diary; An Informal History of the British Documentary Film, 1928–1939 by Paul Rotha. London: Secker & Warburg.Google Scholar
Hewison, Robert
1987The Heritage Industry: Britain in a Climate of Decline. London: Methuen.Google Scholar
Hickling, Alfred
2010 “Back to Bradford: Andrea Dunbar Remembered on Film.” The Guardian, April 12. https://​www​.theguardian​.com​/film​/2010​/apr​/12​/theatre.Google Scholar
Higson, Andrew
1996Dissolving Views: Key Writings on British Cinema. Rethinking British Cinema. New York: Cassell.Google Scholar
Jameson, Fredric
(1991) 2007Postmodernism, or, The Cultural Logic of Late Capitalism. London: Verso.Google Scholar
Kaye, Nick
(2000) 2013Site-Specific Art: Performance, Place and Documentation. London: Routledge.Google Scholar
Kwon, Miwon
2004One Place after Another: Site-Specific Art and Locational Identity. Cambridge, MA: MIT Press.Google Scholar
Lay, Samantha
2002British Social Realism: From Documentary to Brit-Grit. London: Wallflower Press.Google Scholar
Moran, Joe
2000Star Authors: Literary Celebrity in America. London: Pluto Press.Google Scholar
Murray, Simone
2008 “Materializing Adaptation Theory: The Adaptation Industry.” Literature/Film Quarterly 36 (1): 4–20. http://​www​.jstor​.org​/stable​/43797393.Google Scholar
Rita, Sue and Bob Too1987Orion Classics. Press Kit. University of California Berkeley Art Museum & Pacific Film Archive.Google Scholar
Ryan, Maureen
2017 “TV Review: Sally Wainwright’s ‘To Walk Invisible’ on PBS Masterpiece.” Variety, March 23. https://​www​.variety​.com​/2017​/tv​/reviews​/to​-walk​-invisible​-pbs​-masterpiece​-sally​-wainwright​-bronte​-sisters​-1202014202/.Google Scholar
Williams, Christopher et al.
ed. 1980Realism and the Cinema: A Reader. British Film Institute Readers in Film Studies. London: Routledge & Kegan Paul in association with the British Film Institute.Google Scholar
Cited by

Cited by other publications

Dinter, Sandra
2020. The Brontë Sisters on Foot: Walking as a Reconfiguration of the Brontë Myth in Sally Wainwright’s BBC Biopic To Walk Invisible. English Studies  pp. 1 ff. Crossref logo

This list is based on CrossRef data as of 01 january 2021. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.