Where is Adaptation?

Mapping cultures, texts, and contexts

Editors

Casie Hermansson

| Pittsburg State University

Janet Zepernick

| Pittsburg State University

Hardbound – Available

ISBN 9789027201492 | EUR 105.00 | USD 158.00

e-Book –

ISBN 9789027263490 | EUR 105.00 | USD 158.00

Where is Adaptation? Mapping cultures, texts, and contexts explores the vast terrain of contemporary adaptation studies and offers a wide variety of answers to the title question in 24 chapters by 29 international practitioners and scholars of adaptation, both eminent and emerging. From insightful self-analyses by practitioners (a novelist, a film director, a comics artist) to analyses of adaptations of place, culture, and identity, the authors brought together in this collection represent a broad cross-section of current work in adaptation studies. From the development of technologies impacting film festivals, to the symbiotic potential of interweaving disability and adaptation studies, censorship, exploring the “glocal,” and an examination of the Association for Adaptation Studies at its 10th anniversary, the original contributions in this volume aim to trace the leading edges of this evolving field.

[FILLM Studies in Languages and Literatures, 9] 2018. xix, 431 pp.

Publishing status: Available

https://doi.org/10.1075/fillm.9

Table of Contents

List of figures	xi–xii
Series editor’s preface	xiii–xiv
Contributors	xv–xx
Introduction: Where is adaptation?: Why ask? Casie Hermansson and Janet Zepernick	1–10
Part I. Adaptation at the borderlines	11–14
Chapter 1. Adaptation as salvage: Transcoding history into fiction in The Naturalist Thom Conroy	15–30
Chapter 2. Adapting history: Queries and notes about nonfiction comics Emi Gennis and Sandra Cox	31–56
Chapter 3. Watching as data mining: Seeing Person of Interest through the prism of adaptation Thomas Van Parys	57–70
Chapter 4. Adaptation as city branding: The case of Dexter and Miami Vanessa Herrmann	71–86
Chapter 5. The post-nostalgia film: Adapting West Yorkshire in British heritage and social realist film Alexis Brown	87–102
Part II. Adaptation and transculturation	103–106
Chapter 6. A spectrum of operatic adaptations: Director’s Opera and audience expectations Michael Hutcheon and Linda Hutcheon	107–124
Chapter 7. “Such a transformation!” Shakespeare remade: Sulayman Al-Bassam’s Richard III, an Arab Tragedy Yusur Al-Madani	125–140
Chapter 8. Indian Fakespeare: The idea of Shakespeare in translation Jim Casey	141–158
Chapter 9. Transculturating Shakespeare: Vishal Bhardwaj’s Mumbai Macbeth Ana Cristina Mendes	159–174
Part III. Adaptation at the contact zone	175–178
Chapter 10. Relocation as adaptation in An African City S. Olivia Donaldson	179–196
Chapter 11. The practice of adaptation in the Turkish Republic: Patriotic communities Laurence Raw	197–210
Chapter 12. The limits of Orientalism: Relocating identity in two Arabian Nights Jerod Ra’Del Hollyfield	211–228
Chapter 13. Mexican Cinema in the Buffyverse: Toward an ethics of transnational adaptation and appropriation David Dalton	229–244
Chapter 14. Fresh Off the Boat : Meeting whose expectations? Jiahong Wang	245–256
Part IV. Adaptation and intersections	257–258
Chapter 15. A brief history of the Association of Adaptation Studies Deborah Cartmell, Jeremy Strong and Imelda Whelehan	259–270
Chapter 16. Adaptation as defense against film censorship: Pasolini’s Salò – 120 Days of Sodom in Italy and the UK Valentina Signorelli	271–286
Chapter 17. Where is disability in adaptation studies? Jamie McDaniel	287–304
Chapter 18. The new real: Virtual reality and adapting the film festival experience Joi Tribble	305–320
Part V. Adaptation as creative process	321–322
Chapter 19. From rainy Soho to sunny Kings Cross: Remapping and contemporizing Joseph Conrad’s The Secret Agent Jonathan Ogilvie	323–342
Chapter 20. Where does the “meta” go in adapting children’s metafiction to the screen?: The case of “A Series of Unfortunate Events” Casie Hermansson	343–364
Chapter 21. The adaptation of “adaptation” in translation studies focusing on children’s literature Melissa Garavini	365–380
Chapter 22. Stories ad infinitum : Embedded narratives and challenges in adapting The Saragossa Manuscript Jessy Neau	381–398
Chapter 23. “A dream within a dream”: The politics of dislocation in Head On and Picnic at Hanging Rock Hila Shachar	399–414
Chapter 24. Breaking walls: Theater of Cruelty and its adaptations in Jalila Baccar and Fadhel Jaïbi’s Violence(s) Haythem Guesmi	415–426
Index	427–431

Cited by

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2020. In Literary Communication as Dialogue [FILLM Studies in Languages and Literatures, 14],

Gentile, Paola & Luc van Doorslaer

2019. Translating the North–South imagological feature in a movie: Bienvenue chez les Ch’tis and its Italian versions. Perspectives 27:6 ► pp. 797 ff.

Sell, Roger D.

2020. In Literary Communication as Dialogue [FILLM Studies in Languages and Literatures, 14],

This list is based on CrossRef data as of 31 october 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.

Subjects

Art & Art History

General studies in art & art history

Communication Studies

Literature & Literary Studies

Theoretical literature & literary studies

Translation & Interpreting Studies

Translation Studies

BIC Subject: DSA – Literary theory

BISAC Subject: LIT000000 – LITERARY CRITICISM / General