Article published in:
Literature in Contemporary Media Culture: Technology - Subjectivity- Aesthetics
Edited by Sarah J. Paulson and Anders Skare Malvik
[FILLM Studies in Languages and Literatures 2] 2016
► pp. 23–40
Published online: 03 February 2016
https://doi.org/10.1075/fillm.2.02pea
References

References

Baudrillard, Jean
1995 Simulacra and Simulation. Translated by Sheila Faria Glaser. Ann 
Arbor, MI: University of Michigan Press.Google Scholar
Blasing, Motlu Konuk
2007 Lyric Poetry: The Pain and Pleasure of Words. Princeton, NJ and Oxford, UK: Princeton University Press.Google Scholar
Brown, Bill
2010 “Materiality.” In W. J. T. Mitchell and Mark B. N. Hansen, eds. Critical Terms for Media Studies. Chicago: University of Chicago Press. 49–63.Google Scholar
Cameron, Sharon
1979 Lyric Time: Dickinson and the Limits of Genre. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Deleuze, Gilles
1992 “Postscript on the Societies of Control.” October 59: 3–7.Google Scholar
1990 The Logic of Sense. Translated by Mark Lester and Charles Stivale. New York: Columbia University Press.Google Scholar
Dworkin, Craig
2011 “The Fate of Echo.” In Craig Dworkin and Kenneth Goldsmith, eds. Against Expression: An Anthology of Conceptual Writing. Evanston, IL: Northwestern University Press. xxiii–liv.Google Scholar
2007 “The Imaginary Solution.” Contemporary Literature 48 (1): 29–60. 
 CrossrefGoogle Scholar
Foster, Hal
2004 “An Archival Impulse.” October 110: 3–22. CrossrefGoogle Scholar
Foucault, Michel
1996 “Of Other Spaces.” Diacritics 16 (1): 22–27. CrossrefGoogle Scholar
1993 “Hermeneutics of the Self.” Political Theory 21 (2): 198–227. 
 CrossrefGoogle Scholar
Galloway, Alexander
2014 “Love of the Middle.” In Alexander Galloway, Eugene Thacker, and McKenzie Wark. Excommunication: Three Inquiries in Media and Mediation. Chicago and London: University of Chicago Press. 25–76.Google Scholar
Gitelman, Lisa
1999 Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era. Stanford: Stanford University Press.Google Scholar
Goldsmith, Kenneth
2011a “Archiving Is the New Folk Art.” Poetry Foundation. Accessed June 30, 2015. http://​www​.poetryfoundation​.org​/harriet​/2011​/04​/archiving​-is​-the​-new​-folk​-art/.Google Scholar
2011b Uncreative Writing: Managing Language in the Digital Age. New York: Columbia University Press.Google Scholar
2002 Soliloquy. Electronic Poetry Center. Accessed June 30, 2015. 
 http://​epc​.buffalo​.edu​/authors​/goldsmith​/soliloquy/.Google Scholar
2001 Soliloquy. New York: Granary.Google Scholar
2000 “Uncreativity as a Creative Practice.” Electronic Poetry Center. Accessed June 30, 2015. http://​epc​.buffalo​.edu​/authors​/goldsmith​/uncreativity​.htm.Google Scholar
Heim, Michael
1987 Electric Language: A Philosophical Study of Word Processing. New Haven, NH and London: Yale University Press.Google Scholar
Kirschenbaum, Matthew G.
2008 Mechanisms: New Media and the Forensic Imagination. 
Cambridge, MA and London: MIT Press.Google Scholar
Kittler, Friedrich
1999 [1986] Gramophone, Film, Typewriter. Translated by Geoffrey Winthrop-­Young and Michael Wutz. Stanford,: Stanford University Press.Google Scholar
1990 [1985] Discourse Networks, 1800/1900. Translated by Michael Metteer and Chris Cullens. Stanford: Stanford University Press.Google Scholar
Manovich, Lev
2003 “Metadating the Image.” In A. Adriaansens, ed. Making Art of Databases. Rotterdam: V2. n.p.Google Scholar
2001 The Language of New Media. Cambridge, MA and London: MIT Press.Google Scholar
Marks, Laura U.
2009 “Information, Secrets, and Enigmas.” Screen 50 (1): 86–98. 
 CrossrefGoogle Scholar
Nealon, Christopher
2011 The Matter of Capital: Poetry and Crisis in the American Century. 
Cambridge, MA and London: Harvard University Press. 
 CrossrefGoogle Scholar
Olson, Charles
1997 [1952] “The Present is Prologue.” In Donald Allen and Benjamin Friedlander, eds. Collected Prose: Charles Olson. Berkeley and Los Angeles: University of California Press.Google Scholar
Perloff, Marjorie
2010 Unoriginal Genius: Poetry by Other Means in the New Century. Chicago: University of Chicago Press.Google Scholar
Perloff, Marjorie. 2005. “‘Moving Information’: On Kenneth Goldsmith’s The Weather.” Open Letter 12 (7): 75–85.
Place, Vanessa and Robert Fitterman
2009 Notes on Conceptualisms. New York: Ugly Duckling Presse.Google Scholar
Røssaak, Eivind
2008 “The Performative Archive.” In Wong Kin-Yuen (Chair). Technovisuality and Cultural Reenchantment. Conference conducted at Hong Kong Shue Yan University, Hong Kong.
Scappettone, Jennifer
2009 “Versus Seamlessness: Architectonics of Psuedocomplicity in Tan Lin’s Ambient Poetics.” Boundary 2 36 (3): 63–76. CrossrefGoogle Scholar
Seremetakis, C. Nadia
1996 The Senses Still: Perception and Memory as Material Culture in Modernity. San Francisco, CA and Oxford, UK: Westview.Google Scholar
Shaw, Lytle
2010 “Kenneth Goldsmith.” Printed Project 14: 21–27.Google Scholar
Spieker, Sven
2008 The Big Archive: Art from Bureaucracy. Cambridge, MA: MIT Press.Google Scholar
Warhol, Andy
1998 [1968] a: a Novel. Second edition. New York: Grove Press.Google Scholar