Literary Communication as Dialogue
Responsibilities and pleasures in post-postmodern times
Selected papers 2003-2020
| Åbo Akademi University
As traced by Roger D. Sell, literary communication is a process of community-making. As long as literary authors and those responding to them respect each other’s human autonomy, literature flourishes as an enjoyable, though often challenging mode of interaction that is truly dialogical in spirit. This gives rise to author-respondent communities whose members represent existential commonalities blended together with historical differences.
These heterogeneous literary communities have a larger social significance, in that they have long served as counterweights to the hegemonic tendencies of modernity, and more recently to postmodernity’s well-intentioned but restrictive politics of identity. In post-postmodern times, their ethos is increasingly one of pleasurable egalitarianism. The despondent anti-hedonism of the twentieth century intelligentsia can now seem rather dated.
Some of the papers selected for this volume develop Sell’s ideas in mainly theoretical terms. But most of them offer detailed criticism of particular anglophone writers, ranging from Shakespeare, Ben Jonson and other poets and dramatists of the early modern period, through Wordsworth and Coleridge, to Dickens, Pinter, and Rushdie.
These heterogeneous literary communities have a larger social significance, in that they have long served as counterweights to the hegemonic tendencies of modernity, and more recently to postmodernity’s well-intentioned but restrictive politics of identity. In post-postmodern times, their ethos is increasingly one of pleasurable egalitarianism. The despondent anti-hedonism of the twentieth century intelligentsia can now seem rather dated.
Some of the papers selected for this volume develop Sell’s ideas in mainly theoretical terms. But most of them offer detailed criticism of particular anglophone writers, ranging from Shakespeare, Ben Jonson and other poets and dramatists of the early modern period, through Wordsworth and Coleridge, to Dickens, Pinter, and Rushdie.
[FILLM Studies in Languages and Literatures, 14] 2020. xii, 425 pp.
Publishing status: Available
© John Benjamins
Table of Contents
|
Series editor’s preface
|
ix
|
|
Acknowledgements
|
xi–xii
|
|
Introduction
|
1–14
|
|
Chapter 1. Postmodernity, literary pragmatics, mediating criticism: Meanings within a large circle of communicants
|
15–38
|
|
Chapter 2. What is literary communication and what is a literary community?
|
39–44
|
|
Chapter 3. Gadamer, Habermas, and a re-humanized literary scholarship
|
45–53
|
|
Chapter 4. Sir John Beaumont and his three audiences
|
55–83
|
|
Chapter 5. Dialogicality and ethics: Four cases of literary address
|
85–110
|
|
Chapter 6. Encouraging the readers of tomorrow: Books and empathy
|
111–115
|
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Chapter 7. Dialogue versus silencing: Coleridge’s The Rime of the Ancient Mariner
|
117–158
|
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Chapter 8. Cultural memory and the communicational criticism of literature
|
159–183
|
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Chapter 9. Herbert’s considerateness: A communicational assessment
|
185–191
|
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Chapter 10. In dialogue with the ageing Wordsworth
|
193–208
|
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Chapter 11. A communicational criticism for post-postmodern times
|
209–228
|
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Chapter 12. Review: Till Kinzel and Jarmila Mildorf (eds). Imaginary dialogues in American literature and philosophy: Beyond the mainstream
|
229–235
|
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Chapter 13. Political and hedonic re-contextualizations: Prince Charles’s Spanish journey in Beaumont, Jonson, and Middleton
|
237–257
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Chapter 14. Where do literary authors belong?: A post-postmodern answer
|
259–275
|
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Chapter 15. Honour dishonoured: The communicational workings of early Stuart tragedy and tragi-comedy
|
277–304
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Chapter 16. Dialogue and literature
|
305–325
|
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Chapter 17. Ben Jonson’s Epigram 101, “Inviting a Friend to Supper”: Literary pleasures immediately tasted
|
327–358
|
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Chapter 18. Literature, human commonalities, and cultural differences: Stability and change
|
359–379
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Chapter 19. Two opposed modes of communication between Dickens and his readers
|
381–396
|
|
References
|
397–420
|
|
Index
|
421–425
|
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criticism: A study in literary judgement (London: Routledge & Kegan Paul).
Richardson, Alan
(2000) “Rethinking
Romantic incest: Human universals, literary representation and the biology of mind’, English Literary
History 31: 553–72.
Ricks, Christopher
(1971) “The
tragedies of Webster, Tourner and Middleton: Symbols, imagery and
conventions”, in Christopher Ricks (ed.), English
Drama to 1710 (London: Sphere Books), 306–53.
(1974) Keats
and embarrassment (Oxford: Clarendon Press).
(1987) “A
sinking inward to ourselves from thought to thought,” in his The force of
poetry (Oxford: Clarendon Press), 117–134.
(1994) T.S.
Eliot and
prejudice (London: Faber).
(2001) “Defects
of Kipling (1909),” Essays in
Criticism 51: 1–7.
Ridley, Matt
(1997) The
origins of virtue: Human instincts and the evolution of
cooperation (Harmondsworth: Penguin).
Rimon, Helena
(2014) “Dialogues
of cultures and national identity: Teuven Asher Braudes’ The Two
Poles
,” in Literature as dialogue: Invitations offered and
negotiated, ed. Roger
D. Sell (Amsterdam: Benjamins 2014), 237–50.
Rochester, Joanne
(2010) Staging
spectatorship in the plays of Philip
Massinger (Farnham: Ashgate).
Rushdie, Salman
(1992) The
Satanic Verses [1988] (Dover, Delaware: The Consortium).
(2005) Shalimar
the
Clown (London: Vintage).
Rybacki, Karyn
Charles and Donald
Jay Rybacki
(2002) Communication
criticism: Approaches and
genres (Boston: Pearson).
Saintsbury, George
(1875) “Charles
Baudelaire,” Fortnightly
Review 18 ns (1st October): 500–518.
Salenius, Maria
(2009) “...’those
marks are upon me’: John Donne’s sermons for a community in
transition”, in Writing and religion in England, 1558–1689: Studies in
community-making and cultural memory, eds Roger
D. Sell and Anthony
W. Johnson (Farnham: Ashgate), 151–167.
Schegloff, Emanuel
A.
(1981) “Discourse as an interactional
achievement: Some uses of ‘uh huh’ and other things that come between
sentences,” in Analyzing discourse: Text and
talk, ed. Deborah Tannen (Washington DC: Georgetown University Press), 71–93.
Scott, Thomas
(1624) The
Second Part of Vox Populi ([London: N. Okes and J. Dawson]).
Sell, Roger
D.
(1970) “The handwriting of Sir John Beaumont
and the editing of his poems,” Huntington Library
Quarterly 33: 284–291.
(1972) “The authorship of The
Metamorphosis of Tabacco and Salmacis and Hermaphroditus
,” Notes and
Queries, 117: 10–14.
(1975) “Notes on the religious and family
background of Francis and Sir John Beaumont’, Neuphilologische
Mitteilungen, 76: 299–307.
(1975) “Two types of style contrast in
King Lear: A literary-critical Appraisal,” in Style and
text: Studies presented to Nils Erik Enkvist, ed. Håkan Ringbom (Stockholm: Skriptor 1975), 155–71.
(1981) “
Watership Down and the
rehabilitation of pleasure,” Neophilologische
Mitteilungen 1 82: 28–35 (reprinted
in Contemporary literary
criticism, vol. 357, ed. Lawrence
J. Trudeau (Farmington Hills: Gale 2014), 5–10).
(1985) “Politeness in Chaucer: Suggestions
towards a methodology for pragmatic stylistics”, Studia
Neophilologica 57: 175–185 (= item 2
in Roger
D. Sell, A humanizing literary pragmatics:
Theory, criticism, education: Selected papers
1985–2002 (Amsterdam: Benjamins 2019), 29–45).
(1985) “Tellability and politeness in ‘The
Miller’s Tale’: First steps in Literary pragmatics”, English
Studies 66: 496–512 (= item 1
in Roger
D. Sell, A humanizing literary pragmatics:
Theory, criticism, education: Selected papers,
1985–2002 (Amsterdam: Benjamins 2019), 9–28).
(1991) “The politeness of literary
texts”, in Literary
pragmatics, ed. Roger
D. Sell (London: Routledge 1991), 208–224.
(1992) “Literary texts and diachronic aspects
of politeness”, in Politeness in language: Studies in its history theory and
practice, eds Richard
J. Watts, Sachiko Ide, and Konrad Ehlich (Berlin: Mouton de Gruyter 1992), 109–129.
(1993) “Simulative panhumanism: A challenge to
current linguistic and literary thought,” Modern Language
Review 88: 545–558 (= item 11
in Roger
D. Sell, A humanizing literary pragmatics:
Theory, criticism, education: Selected papers,
1985–2002 (Amsterdam: Benjamins 2019), 133–149).
(1994) “Literary gossip, literary theory,
literary pragmatics,” in Literature and the new interdisciplinarity: Poetics,
linguistics, history, eds Roger
D. Sell and Peter Verdonk (Amsterdam: Rodopi), 221–241 (= item
13 in Roger
D. Sell, A humanizing literary pragmatics:
Theory, criticism, education: Selected papers
1985–2002 (Amsterdam 2019), 159–177).
(ed.) (1994) New Casebooks: Great
Expectations: Charles
Dickens (Basingstoke: Macmillan).
(ed.) (1995) Literature throughout
foreign language education: The implications of pragmatics, ed. Roger
D. Sell (London: Modern English Language Publications in Association with the British Council).
(1999) “
Henry V and the
strength and weakness of words: Shakespearian philology, historicist criticism, communicative
pragmatics,” Neuphilologische
Mitteilungen 100: 535–63 (reprinted
in Shakespeare and Scandinavia: A collection of Nordic
studies, ed. Gunnar Sorelius (Newark: University of Delaware Press 2002), 108–41, and
revised as Chapter 2, “
Henry V and the strength and weakness of
words,” in Roger
D. Sell, Communicational criticism: Studies in
literature as
dialogue (Amsterdam: Benjamins 2011), 51–81.)
(2000) Literature as communication: The foundations of
mediating
criticism (Amsterdam: Benjamins).
(2001) “Communication: A counterbalance to
professional specialization,” in Innovation and continuity in English studies:
A critical jubilee, ed. Herbert Grabes (Fankfurt: Peter Lang), 73–89 (= item 24 in Roger
D. Sell, A humanizing literary pragmatics: Theory,
criticism, education: Selected papers
1985–2002 (Amsterdam 2019), 327–342)).
(2001) “Decorum versus
indecorum in Dombey and Son
,” in his Mediating criticism:
Literary education
humanized (Amsterdam: Benjamins), 165–193.
(2001) “Henry Vaughan’s
unexpectedness,” in his Mediating criticism: Literary education
humanized (Amsterdam: Benjamins), 139–164.
(2001) “A historical but non-deterministic
pragmatics of literary communication,” Journal of Historical
Pragmatics 2:1–32.
(2001) “How much should history weigh?
Mediating criticism and the discourse of conflict,” in Poetics, linguistics and
history: Discourse of war and conflict, eds Ina Biermann and Annette Combrink (Potchefstroom: Potchefstroom University), 274–93 (revised as Chapter
6, “
The Waste Land and the discourse of
mediation,” in Roger
D. Sell, Communicational criticism: Studies in
literature as
dialogue (Amsterdam: Benjamins 2011), 223–237).
(2001) “The impoliteness of The Waste
Land
,” in his Mediating criticism: Literary education
humanized (Amsterdam: Benjamins), 107–138.
(2001) Mediating criticism: Literary education
humanized (Amsterdam: Benjamins).
(2001) “The pains and pleasures of
David Copperfield
,” in his Mediating criticism: Literary
education
humanized (Amsterdam: Benjamins), 263–290.
(2001) “Waistlines: Bowling, Orwell,
Blair”, in Language, Learning, Literature: Studies Presented to Håkan
Ringbom, eds Roger
D. Sell et al. (English Department
Publications 4, Åbo Akademi University), 261–80 (revised as Chapter
8, “Orwell’s Coming Up For Air and the communal negotiation of
feelings,” in Roger
D. Sell, Communicational criticism: Studies in
literature as
dialogue (Amsterdam: Benjamins 2011), 259–275).
(ed.) (2002) Children’s literature
as communication: The ChiLPA
project (Amsterdam: Benjamins).
(2002) “Introduction,” in Roger
D. Sell (ed.), Children’s
literature as communication: The ChiLPA
Project (Amsterdam: Benjamins,), 1–26.
(2002) “Reader-learners: Children’s novels and
participatory pedagogy”, in Roger
D. Sell (ed.), Children’s
literature as communication: The ChiLP
project (Amsterdam: Benjamins), 263–290.
(2003) Interviewed by Dusanka
Zabukovec. Sobodnost 67: 824–832.
(2004) “Blessings, benefactions and bear’s
services: Great Expectations and communicational narratology,” The European Journal of
English Studies 8: 49–80 (revised as
Chapter 5, “Great Expectations and the Dickens community,” in Roger
D. Sell, Communicational criticism: Studies in
literature as
dialogue (Amsterdam: Benjamins 2011), 195–221).
(2004) “Decency at a discount? English studies,
communication, mediation,” The European English
Messenger 13: 23–34.
(2004) “What’s literary communication and
what’s a literary community?” in Emergent literatures and globalisation:
Theory, society, politics, eds Sonia Faessel and Michel Pérez (Paris: In Press Editions), 39–45 (= item 2 in the present
selection).
(2005) “Social change and scholarly
mediation”, in Re-imagining language and literature for the 21st
century, ed. Suthira Duangsamosorn (Amsterdam: Rodopi), 133–50.
(2007) “Gadamer, Habermas and a re-humanized
literary scholarship,” in Literary criticism as
Metacommunity, eds Smiljana Komar and Uros Mozetic (Ljubljana Slovene Association for the Study of English), 213–220 (= item 3 in the present
selection).
(2007) “The importance of genuine
communication: Literature within a participatory pedagogy,” in Towards a
dialogic Anglistics, eds Werner Delanoy, Jörg Helbig, and Allan James (Vienna: Lit Verlag), 247–261.
(2007) “Literary scholarship as mediation: An
approach to cultures past and present”, in Cultures in
Contact, eds Balz Engler and Lucia Michalcak (Tübingen: Gunter Narr), 35–58.
(ed.) (2007) Special issue:
Literature as communication, NJES: Nordic Journal of English
Studies (7): 1–172.
(2007) “Wordsworthian
communication”, Nordic Journal of English
Studies 6: 17–45.
Sell, Roger D.
Sell
(2009) “Sir John Beaumont and his three
audiences” in Roger
D. Sell and Anthony
W. Johnson (eds), Writing
and religion in England, 1558–1689: Studies in community-making and cultural
memory (Ashgate: Farnham), 195–221 (= item
4 in the present selection).
Sell, Roger
D.
(2009) “Wordsworth and the spread of genuine
communication,” Literature and values: Literature as a medium for representing, disseminating and
constructing norms and values, eds Sibylle Baumback, Herbert Grabes, and Ansgar Nünning (Wissenschaftlicher
Verlag Trier), 125–43 (revised as Chapter 4, “Wordsworth’s
genuineness,” in Roger
D. Sell, Communicational criticism: Studies of
literature as
dialogue (Amsterdam: Benjamins 2011), 151–194).
(2010) “Mediational ethics in Churchill’s
My Early Life
,” in Auto / Biography and
mediation, ed. Alfred Hornung (Heidelburg: Winter), 207–225, (revised
as Chapter 7, “Churchill’s My Early Life and communicational
ethics,” in Roger
D. Sell, Communication criticism: Studies in
literature as
dialogue (Amsterdam: Benjamins 2011), 239–258).
(2011) Communicational criticism: Studies in
literature as
dialogue (Amsterdam: Benjamins).
(2011) “Communicational ethics and the plays of
Harold Pinter”, in his Communicational criticism: Studies in literature as
dialogue (Amsterdam: Benjamins), 293–363.
(2011) “Dialogicality and ethics: Four cases of
literary address,” Language and
Dialogue 1: 79–104 (= item 5 in the present
selection).
(2011)
Great Expectations and
the Dickens community,” in his Communicational criticism: Studies in literature
as
dialogue (Amsterdam: Benjamins), 195–237.
(2011) “Pope’s three modes of
address,” in his Communicational criticism: Studies in literature as
dialogue (Amsterdam: Benjamins), 83–150.
(2011) “Wordsworth’s
Genuineness,” in his Communicational criticism: Studies in literature as
dialogue (Amsterdam: Benjamins 2011), 151–194.
(2012) “Cultural memory and the communicational
criticism of literature”, ESSACHESS: Journal for Communication
Studies 5: 201–225 (= item 8 in the present
selection).
(2012) “Dialogue versus
silencing: Coleridge’s The Rime of the Ancient
Mariner
, in Literary community-making: The dialogicality of English
texts from the seventeenth century to the present, ed. Roger
D. Sell (Amsterdam: Benjamins 2012), 91–129 (=item
7 in the present selection).
(ed.) (2012) Literary
community-making: The dialogicality of English texts from the seventeenth century to the
present (Amsterdam: Benjamin).
(2014) “A communicational criticism for
post-postmodern Times,” in Linguistics and literary studies: Interfaces,
encounters, transfers, eds Monika Fludernik and Daniel Jacob (Berlin: De Gruyter 2014), 127–146 ( = item 11 in
the present selection).
(ed.) (2014) Literature as
dialogue: Invitations offered and
negotiated (Amsterdam: Benjamins).
(ed.) (2015) Literary
Pragmatics [1991] (London: Routledge).
(2015) “Political and hedonic
re-contextualizations: Prince Charles’s Spanish journey in Beaumont, Jonson, and Middleton”, Ben Jonson
Journal 22 (2015): 163–187 (= item
13 in the present selection).
(2015) “Where do literary authors belong? A
post-postmodern answer,” Rocznik Komparatystyczny: Comparative
Yearbook 6: 47–68 (= item 14 in the present
selection).
(2017) “Dialogue and
Literature,” in The Routledge handbook of language and
dialogue, ed. Edda Weigand (New York: Routledge 2017), 127–142 (= item
16 in the present selection).
(2017) “The example of Coleridge: A utopian
element in literary communication”, in English without boundaries: Reading
English from China to Canada, eds Jane Roberts and Trudi
L. Darby (Newcastle upon Tyne: Cambridge Scholars Publishing), 88–103.
(2017) “Honour dishonoured: The communicational
workings of early Stuart tragedy and tragicomedy”, in Roger
D. Sell, Anthony
W. Johnson and Helen Wilcox (eds), Community-making
in early Stuart theatres: Stage and
audience (London: Routledge), 173–198 (= item
15 in the present selection).
(2019) “Ben Jonson’s Epigram 101, ‘Inviting a
Friend to Supper’: Literary pleasures immediately tasted,” in Tommi Alho, Jason Finch, and Roger
D. Sell (eds), Renaissance
Man: Essays on Literature and Culture for Anthony W.
Johnson (Amsterdam: Benjamins 2019), 25–57 (= item
17 in the present selection).
(2019) A humanizing literary pragmatics: Theory,
Criticism, Education: Selected Papers
1985–2002 (Amsterdam: Benjamins).
(2019) “Literary pragmatics and the alternative
Great Expectations
,” in Roger D. Sell, A
humanizing literary pragmatics: Theory, criticism,
education (Amsterdam: Benjamins), 179–194.
Sell, Roger
D., Adam Borch, and Inna Lindgren
(eds) (2013) The
ethics of literary communication: Genuineness, directness,
indirectness (Amsterdam: Benjamins)
Sell, Roger
D. and Anthony
W. Johnson
(eds) (2009) Religion
and writing in England, 1558–1689: Studies in community-making and cultural
memory (Farnham: Ashgate)
Sell, Roger
D., Anthony
W. Johnson, and Helen Wilcox
(eds) (2017) Community-making
in early Stuart theatres: Stage and
audience (London: Routledge).
Sell, Roger
D. and Peter Verdonk
(eds) (1994) Literature
and the new interdisciplinarity: Poetics, linguistics,
history (Amsterdam: Rodopi).
Shakespeare, William
(1959) The
Merchant of Venice, ed. John
Russell Brown (London: Methuen).
(1961) King
Lear, ed. Kenneth Muir (London: Methuen).
(1967) Henry
IV i, ed. A. R. Humphreys (London: Methuen).
(1969) Henry
VI ii, ed. Andrew Cairncross (London: Methuen).
(1972) Macbeth, ed. Kenneth Muir (London: Methuen).
(1995) Antony
and Cleopatra, ed. John Wilders (London: Arden Shakespeare).
(1997) The
Norton Shakespeare, ed. Stephen Greenblatt (New York: Norton).
(1997) Shakespeare’s
Sonnets, ed. Katherine Duncan–Jones (London: Arden Shakespeare).
Shell, Alison
(1999) Catholicism,
controversy and the English literary imagination,
1558–1660 (Cambridge: Cambridge University Press).
(2001) “What
is a Catholic poem? Explicitness and censorship in Tudor and Stuart religious
verse’, in Literature and censorship in Renaissance
England, ed. Andrew Hadfield, (Basingstoke: Palgrave), 95–111.
Shusterman, Richard
Shusterman
(1992) Pragmatist aesthetics: Living beauty,
rethinking
art (Oxford: Blackwell).
Shusterman, Richard
(1993) “Don’t
believe the hype: Animadversions on the critique of popular art,” Poetics
Today 14: 101–122.
Siebers, Johan
(2013) “The
utopian horizon of communication: Ernst Bloch’s Traces and Johann-Peter Hebel’s The Treasure
Chest
,” in The ethics of literary communication: Genuineness,
directness, indirectness, eds Roger
D. Sell, Adam Borch, and Inna Lindgren (Amsterdam: Benjamins), 189–212.
Sillars, Malcolm
O. and Bruce
E. Gronbeck
(2001) Communication
criticism: Rhetoric, social codes, cultural
studies (Waveland: Long Grove, Illinois).
Siltanen, Elina
(2016) Experimentalism
as reciprocal communication in contemporary American poetry: John Ashbery, Lyn Hejinian, Ron
Silliman (Amsterdam: Benjamins).
Simpson, David
(1979) Irony
and authority in Romantic
poetry (London: Macmillan).
Sisman, Adam
(2007) Wordsworth
and Coleridge: The friendship (London: Harper Perennial).
Sitterson, Joseph
C.
(2000) Romantic poems, poets, and
narrators (Kent, Ohio: Kent State University Press).
Sontag, Susan
(1966) Against
interpretation and other essays (New York: Farrar, Strauss and Giroux).
Spenser, Edmund
(1913) The
poetical works of Edmund Spenser, eds. J. C. Smith and E.
De Selincourt (London: Oxford University Press).
Sperber, Dan
Sperber and Deirdre Wilson
(1986) Relevance:
Communication and
cognition (Oxford: Blackwell).
Sprat, Thomas
(1734) The
history of the Royal Society of London, for the Improving of Natural Knowledge, fourth
edition (London: J. Knapton [et al.]).
Steele, Richard
(1965) The
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Stephen, James
Kenneth
(1896) “Sonnet,” in James
Kenneth Stephen, Lapsus
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Stevens, Wallace
(1953) “Men
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poems (London: Faber and Faber 1953), 90.
Stevenson, Lionel
(1949) “ ‘The
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Personalist 30: 34–44.
Stevenson, Warren
(1986) “
The
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Ancient Mariner, ed. Harold Bloom (New York: Chelsea House), 51–56.
(2001) A
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Stillinger, Jack
(1994) Coleridge
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poems (Oxford: Oxford University Press).
Stokes, Christopher
(2011) Coleridge,
language and the sublime: From transcendence to
finitude (Basingstoke: Palgrave Macmillan).
Strich, Fritz
(1949) Goethe
and world literature [1945], trans. C. A. M. Sym (London: Routledge).
Stromberg, David
(2013) Review
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Answers: Journal of Literature and the History of
Ideas 11: 337–9).
Svensson, Lars-Håkan
(2009) “Imitation
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Queene
,” in “Writing and religion in England, 1558- 1689: Studies in
community-making and cultural memory”, eds Roger
D. Sell and Anthony
W. Johnson (Farnham: Ashgate), 73–90.
Swinburne, A. C.
(1973) “Coleridge” [1875], in The
Ancient Mariner and other poems: A casebook, eds Alun
R. Jones and William Tydeman (London: Macmillan), 85–95.
Tallis, Raymond
(1997) Enemies
of hope: A critique of contemporary pessimism, irrationalism, anti-Humanism and
counter-Enlightenment (Basingstoke: Macmillan).
Tannen, Deborah
(1987) “Repetition
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America 63: 574–605.
(1990) “Ordinary
conversation and literary discourse: Coherence and the poetics of
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Taussig, Gurion
(2002) Coleridge
and the idea of friendship, 1789 – 1804 (Newark: University of Delaware Press.
Taylor, Charles
(1994) “The
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recognition, ed. Amy Gutman (Princeton: Princeton University Press), 25–73.
Tee, Ve-Yin
(2009) Coleridge,
revision and
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Tennyson, Alfred
Lord
(1899) Poetical works of Alfred Lord Tennyson, Poet
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Thackeray, William
Makepeace
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humourists; The four Georges ed. George Saintsbury London Oxford University Press
Tomlinson, Sophie
(2006) Women
on stage in Stuart drama (Cambridge: Cambridge University Press).
Trilling, Lionel
(1950) “Manners,
morals, and the novel”, in his The liberal
imagination (New York: Viking), 205–222.
(1967) “The
fate of pleasure,” in his Beyond culture: Essays on literature and
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Varriano, John
(2010) Wine:
A cultural history (London: Reaktion Books).
Vassanji, M. G.
(2003) The
in-between world of Vikram Lall (Doubleday Canada).
Waldock, A. J. A.
(1947) Paradise
Lost and its critics
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Wall, Barbara
(1991) The
narrator’s voice: The dilemma of children’s
literature (Basingstoke: Macmillan).
Wall, Wendy
(1987) “Interpreting
poetic shadows: The gloss of ‘The Rime of the Ancient
Mariner’,” Criticism 29: 179–95.
Wallerstein, Ruth
(1954) “Sir
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Philology 53: 410–434;
Walsham, Alexandra
(1994) “‘The
Fatall Vesper’: Providentialism and anti-Popery in late Jacobean London”, Past &
Present, 144/1: 36–87.
Warner, Marina
(2004) “Introduction,” in Samuel
Taylor Coleridge: The Rime of the Ancient Mariner, illustr. Mervyn Peake (London: Vintage), v–xiv.
Warren, Robert
Penn
(1946) “A poem of pure imagination: An
experiment in reading,” Kenyon
Review 7: 391–427.
Warton, Thomas
(1762) Observations
on the Fairy Queen of Spenser: The Second
Edition, 2 vols (London: R. & J. Dodsley and J. Fletcher).
Watson, George
(1966) Coleridge
the poet (London: Routledge and Kegan Paul).
Webster, John
(1996) The
Duchess of Malfi, in John Webster: The White Devil, The Duchess of Malfi, The Devil’s Law-Case, A Cure for a
Cuckold, ed. René Weis (Oxford: Oxford University Press 1996), 1–200.
Wehrs, Donald
R. and David
P. Haney
(eds) (2009) Levinas
and nineteenth-century literature: Ethics and otherness from Romanticism through
Realism (Newark: University of Delaware Press).
Weigand, Edda
(2009) Language
as dialogue: From rules to principles of
probability (Amsterdam: Benjamins).
Weinsheimer, Joel
(1991) Philosophical
hermeneutics and critical theory (New Haven: Yale University Press).
West, Sally
(2007) Coleridge
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entanglements (Aldershot: Ashgate).
Whalley, George
(1947) “The
Mariner and the Albatross,” University of Toronto
Quarterly 16: 381–398.
Wheeler, K. M.
(1981) The
creative mind in Coleridge’s
poetry (London: Heinemann 1981).
Wilcox, Helen
(2009) “In
the Temple precincts: George Herbert and seventeenth-century
community-making,” in Writing and religion in England, 1558–1689: Studies in
community-making and cultural memory, eds Roger
D. Sell and Anthony
W. Johnson (Farnham: Ashgate), 253–271.
Williams, Raymond
(1988) Keywords:
A vocabulary of culture and
society (London: Fontana 1988).
Willner, Evan
(2002) Review
of Roger D. Sell, Literature as
communication, in Essays in
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Wilson, Edmund
(1941) “Dickens:
The Two Scrooges”, in his The wound and the
bow (Boston: Houghton Mifflin), 1–104.
Wimsatt, W. K.
(1941) The
prose style of Samuel Johnson (New Haven: Yale University Press).
Womack, Peter
(2011) Dialogue (London: Routledge).
Woolf, D. R.
(2004) “Bolton,
Edmund Mary,” Oxford Dictionary of National
Biography, eds H. C. G. Matthew and Brian Harrison (Oxford: Oxford University Press).
Wordsworth, Jonathan
(1979) “The
two-part Prelude of 1799” [1970], in The
Prelude, 1799, 1805, 1850, eds Jonathan Wordsworth and Stephen Gill (New York: Norton), 567–585.
Wordsworth, William
(1850) The
Prelude or Growth of a poet’s mind; An autobiographical
poem (London: Edward Moxon).
(1888) The
Complete Poetical Works of William Wordsworth, ed. John Moreley (London: Macmillan).
(1926) The
Prelude, ed. Ernest
de Selincourt (Oxford: Clarendon Press)
(1952) “Lines
composed a few miles above Tintern Abbey, on revisiting the banks of the Wye during a tour. July 13,
1798” [1798], in The poetical works of William Wordsworth:
Poems founded on the affections, 2nd ed., ed. Ernest
de Selincourt (Oxford: Clarendon Press 1952), 259–263.
Wordsworth, Wordsworth
(1952–1959) The
poetical works of William Wordsworth, 5 vols, rev.
edn., eds Ernest
de Selincourt and Helen Darbishire (Oxford: Clarendon Press).
Wordsworth, William
(1958) “Ode:
Intimations of immortality from recollections of early childhood”, in Ernest
de Selincourt and Helen Darbishire (eds), The
poetical works of William Wordsworth [“Evening Voluntaries”
etc.] [1947] (Oxford: Clarendon Press), 279–285.
(1968) “Preface”, in Wordsworth
and Coleridge: Lyrical Ballads, eds. R. L. Brett and A. R. Jones (London: Methuen), 241–272.
(1970) Wordsworth:
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Subjects
Literature & Literary Studies
BIC Subject: DSB – Literary studies: general
BISAC Subject: LAN009030 – LANGUAGE ARTS & DISCIPLINES / Linguistics / Pragmatics