Chapter published in:
Advances in Contact Linguistics: In honour of Pieter MuyskenEdited by Norval Smith, Tonjes Veenstra and Enoch Oladé Aboh
[Contact Language Library 57] 2020
► pp. 342–364
Sociolinguistic enregisterment through languagecultural practices
Leonie Cornips | Humanities Cluster (KNAW) & Maastricht University
Vincent de Rooij | University of Amsterdam
This chapter will explore the effects of the sociolinguistic enregisterment of Heerlen Dutch in the carnivalesque summer song Naar Talië/Naar Talia ‘To (I)taly’, performed and uploaded onto YouTube by a band called the Getske Boys. The Getske Boys is a group of three male performers who, by selecting a particular set of linguistic forms from dialect, Dutch, in-betweens, Italian and English, work to enregister these as local to Heerlen-Noord and the speech of the coal miners who once lived there. Their selection of specific co-occurring forms is based on perceived past patterns of co-occurrences: an experiential knowledge, accumulated over the years, of the indexical ties between linguistic forms, specific (groups of) people and a specific place.
Keywords: coal mining, enregisterment, Heerlen Dutch, indexicality, languageculture, parodic language use, place-based identities, place-making, stereotyping
Published online: 29 October 2020
https://doi.org/10.1075/coll.57.11cor
https://doi.org/10.1075/coll.57.11cor
References
References
Agar, M.
Auer, P.
Antonsich, M.
Androutsopoulos, J.
Barbiers, S., van der Auwera, J., Bennis, H. J., Boef, E., De Vogelaer, G. & van der Ham, M.
Beal, J.
Bucholtz, M. & Hall, K.
Christensen, A.-D.
Cornips, L.
Cornips, L. & de Rooij, V.
Cornips, L., de Rooij, V. & Smakman, D.
Cornips, L., de Rooij, V., & Stengs, I.
Cornips, L., de Rooij, V., Stengs, I., & Thissen, L.
Cornips, L. & Knotter, A.
2017 Inventing Limburg (The Netherlands): Territory, history, language, and identity. In Räume, Grenzen, Übergänge, Akten des 5. Kongresses der Internationalen Gesellschaft für Dialektologie des Deutschen (IGDD) [ZDL. Beihefte. 170], H. Christen, P. Gilles & C. Purschke (eds), 71–91. Stuttgart: Steiner.
Driessen, G.
Eckert, P.
Evans-Pritchard, E. E.
Extra, G.
Gal, S., & Irvine, J.
Hagen, A. & Giesbers, H.
Hinskens, F. & Taeldeman, J.
Johnstone, B.
Kats, J.
Kessels-van der Heijde, M.
Knotter, A.
Leppänen, S.
Massey, D.
Milroy, J.
Münstermann, H. & Hagen, A.
Pietikäinen, S. & Kelly-Holmes, H.
Preston, D. R.
Silverstein, M.
Stuyck, K., Luyten, S., Kesteloot, C., Meert, H. & Peleman, K.
Taylor, C.
n.d. Hip Hop parody as veiled critique. Unpublished paper (to appear in African American Language in Pop Culture). http://www.ruf.rice.edu/~sastre/HipHopParodyAsVeiledCritique_chris-taylor.pdf> (21 February 2017).
Thissen, L.
Thomason, S. G. & Kaufman, T.
Wang, X., Spotti, M., Juffermans, K., Cornips, L., Kroon, S. & Blommaert, J.
Watson, J.
Wijers, C.
Woolard, K.
Cited by
Cited by 1 other publications
Cornips, Leonie & Louis van den Hengel
This list is based on CrossRef data as of 06 april 2021. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.